segunda-feira, 31 de janeiro de 2011

sobre manuscritos perdidos

You should no more grieve for the rest than for a buckle lost from your first shoe, or for your lesson book which will be lost when you are old. We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes all been hiding in the great library of Alexandria, we would be at loss for a corkscrew? I have no doubt that the improved steam-driven which puts Mr Noakesino an ecstasy that he and it and the modern age should all coincide, was described on papyrus. Steam and brass were not invented in Glasgow.


Arcadia, de Tom Stoppard

sexta-feira, 28 de janeiro de 2011

I was, as all young people should be, a votary of the Uranian Venus. I was steeped in romantic music from my childhood. I knew all the pictures and statues in the National Gallery of Ireland (a very good one) by heart. I read everything I could lay my hands on. Dumas pere made French history like an opera by Meyerbeer for me. From our cottage on Dalkey Hill I contemplated an eternal Shelleyan vision of sea, sky and mountain. Real life was only a squalid interruption to an imaginary paradise. I was overfed on honey dew. The Uranian Venus was beautiful. The difficulty about the Uranian Venus is that though she saves you from squalid debaucheries and enables you to prolong your physical virginity long after your adolescence, she may sterilise you by giving you imaginary amours on the plains of heaven with goddesses and angels and even devils so enchanting that they spoil you for real women or—if you are a woman—for real men. You become inhuman through a surfeit of beauty and an excess of voluptuousness. You end as an ascetic, a saint, an old bachelor, an old maid (in short, a celibate) because, like Heine, you cannot ravish the Venus de Milo or be ravished by the Hermes of Praxiteles. Your love poems are like Shelley's Epipsychidion, irritating to terre a terre sensual women, who know at once that you are making them palatable by pretending they are something that they are not, and cannot stand comparison with.




de uma carta de George Bernard Shaw a Frank Harris.